Tonight’s the night. Tonight’s the debut.
He knew he was ready for it. Still...his stomach had been uneasy all day, and he had a few hours to go yet before sundown.
A pair of college students already stood in the car, a boy and a girl sharing each other’s personal space, and he nodded to them neutrally. They didn’t respond except to stare at him, so Matt watched the red electric numbers until the doors opened again on the ground floor. He suspected the students had stared at him the whole way down; they moved past him toward the entrance, and he deliberately turned his head to avoid any further eye contact. The girl started giggling as the couple left the building.
Matt stopped outside the office door and pulled his rent check from his shirt pocket. He was dressed as he usually dressed: frayed loose jeans, running shoes, a hugely baggy button shirt. His only jewelry, aside from a wristwatch, was a simple silver cross on a steel chain around his neck.
He rubbed a hand self-consciously across his pale scalp, which was covered with dark brown stubble. “I was born with more hair than this,” he’d said to the barber after the man clicked off his shears.
“It suits you,” the barber had replied. “Ten bucks.”
He couldn’t deny the functionality of his new hair style—this way it looked the same whether he’d been wearing the mask or not—but he still felt a little self-conscious about it. Not that he was in any danger of becoming a male model in the first place.
At his first showing he’d overheard a buyer talking about him, so he ducked behind a faux Greek column and listened. The buyer, a woman in her fifties with skin baked into leather by years of tanning beds, said, “Not exactly what you’d call a handsome man, but he’s got a lot of character. In his face. With those striking hazel eyes, especially—a very strong face.”
Matt had oozed away in embarrassment.
He put his hand on the office doorknob and began to turn it when a voice from inside stopped him. A young woman’s voice. Through the door he very clearly heard her say, “It doesn’t matter what’s on your work order. I’ve got two tenants ready to move in tomorrow.”
Matt stayed outside and listened, thinking lightly of his behind-the-column eavesdropping at the show. A long pause stretched out, presumably as the owner of the voice paid attention to the speaker on the other end of the line.
“Look. Mr. Hayes. Our check has already cleared. Do you understand me? We have already bought those refrigerators. They are on your truck right now, and I want you to bring them here. To me. Today. All right?”
Another long pause, then a few terse monosyllables, then the sound of a handset slammed back into its cradle.
Matt cautiously pushed the door open.
At the main desk, normally occupied by an affable middle-aged Indian matron named Kay Shikari, a young Indian woman in her mid-twenties sat with her elbows on the desk and her face buried in her hands. Reams of paperwork almost hid the desktop from sight, and the woman’s slim, nut-brown arms disappeared behind the stacks.
Matt said, “Um...”
Then she looked up at him, and he forgot why he was there.
She wore her thick black hair cut to just below her ears, and several slightly wavy locks fell forward to frame her face. He stared at her, and couldn’t stop even as he realized he was staring, and that she saw him staring, and still he stared.
Irritably, the woman said, “Yes? Can I help you?”
Matt said, “Uh...”
Immense liquid brown eyes, full dark lips, perfect white teeth.
“Um, I...”
The woman stood up from the desk. She wore form-fitting white jeans and a sleeveless sweater, both of which favorably accented her slender, gently curving body. Matt tried one more time to speak, and managed to say, “The, uh...I...”
“I guess that’s your rent check?” The woman moved around the desk toward Matt, who still stood in the doorway. She seemed less irritated now, and held out one hand—just as amazing as the rest of her, small and delicate and perfect, and with a greater effort of will than it should have taken Matt didn’t stare at it.
“Yes...uh. Yeah. Yes it is. Who, uh...where’s Mrs. Shikari?”
The woman rotated her outstretched hand, a shift from taking his check to offering a greeting. He shook her hand dazedly.
“I’m her daughter. My name’s Diedra. Mom had to leave for a while, so I’m filling in for her.” She grinned a lopsided grin. “I guess you must’ve heard part of that conversation before you came in. Mom would’ve handled it better.” She paused, then carefully took the envelope out of his hand.
He said, “Oh, sorry.” He thought he felt his cheeks burning.
She went back to the desk. “Do you want a receipt?”
“Uh...sure, yeah.” He shifted his weight from one foot to the other and tried to find a place to put his hands, and finally shoved them in his pockets.
She took his check out of its envelope, and when she read his name her whole face changed. She dropped the check on the desk and said, “You’re Matt Sinclair!”
Matt’s forehead wrinkled up. He said, “Uh...”
She bounded around the desk and again stuck out her hand. When he took it, she clasped it with both of hers as if it were something valuable. “I’ve been dying to meet you! I saw your name on the tenant list when I got here a couple of days ago, and I couldn’t believe it! Matt Sinclair, living right here in our building!”
“Wuh...um. Yeah?”
She let his hand go and stepped back, as if to get a better look at him. “I saw your paintings! At the Slade Gallery, last week! You’re amazing. That one, that one you did with the little mice? You know which one I mean?”
“Um...yeah—‘Mind of a Field Mouse.’”
“Yes! That was so incredible! I took some art appreciation courses in college, so, y’know, I sort of know a tiny little bit about it, probably just enough to make some horrible mistake and sound like a moron when I’m talking about art, but I told the guy I was with your painting reminded me of El Greco. Y’know, ‘View of Toledo?’ That guy? With those deep blues and greens?”
Matt started sweating. Suddenly sensing his discomfort, Diedra said, “I’m sorry. You must have people bugging you about your work all the time. I didn’t mean to attack you like that.”
Blood rushed through his ears. “No...no...actually you’re the first. Outside the gallery, I mean.”
“You’re kidding! Wow.”
Matt started edging toward the door. His face did feel hot. Blazing, in fact.
She followed him.
“Listen, you may not go for this at all, and I don’t mean to be a nuisance or anything, but I’d love to talk with you more about your work. Would you like to maybe go get a cup of coffee, or a drink, or maybe a milkshake or something after the office closes? And talk?”
Matt’s hand trembled as it closed around the doorknob.
“Um, you’re not being a nuisance, don’t worry, but, I really can’t, I’m sorry, I really need to go now.” He opened the door, quivering like a rabbit.
Diedra hesitated, then said, “What?”
Matt darted out into the hallway, and he couldn’t look back at her, wouldn’t, would not. As he walked swiftly away, trying not to break into a run, he said over his shoulder, “It was very nice meeting you.”
Diedra came out into the corridor after him, but he’d already pushed open the glass door to the street. Lamely, she called out, “Hey! You didn’t get your receipt!”
“Please leave it in my mailbox,” he called back, and then he was gone.
# # #
Diedra stared after him for a while, even after he’d rounded a corner and disappeared. Then she went back into the office, dropped into the chair behind the main desk, pulled a compact out of her purse and looked in the mirror. She frowned, snapped it closed, then shut her eyes and covered her flushing cheeks with her hands.
“Milkshake,’” she muttered. “Gee whiz, Diedra.”
# # #
Matt walked very quickly down the street, almost running. Running from her? Better believe it, running from her. He clamped his teeth together and shook his head, appalled at himself. What was that? Flirting?
Shame built up on his shoulders.
Still...
How long had it been since he’d actually sat down and talked with someone? How long had it been since he’d had any significant human contact at all?
He knew how long. He could count it out in years, months, days, hours, minutes. And it could go on longer. Would have to. For Glory’s sake. Still...
With hardly any effort he could see her. Diedra Shikari. Her ghost image flashed on the insides of his eyelids.
He’d have to drop his rent checks in the mail from now on. Avoid the office if he could. ...Maybe take some cold showers.
Matt stuffed his hands in his pockets and stared at his feet as he shuffled down the sidewalk. He didn’t need this. He couldn’t afford the distraction, so soon before his first...what? First foray? First time at bat? He tried to concentrate on his checklist for gear and ammunition. It wasn’t easy.
Matt clenched his fists together a few times, and the thick, steely muscles in his arms bunched and rolled under the skin.
AUTHOR'S NOTES FOLLOW IN THE COMMENT SECTION.

17 comments:
CHAPTER 1 – DAN’S NOTES
So here’s where we’re introduced to the central protagonist, Matt Sinclair, and his love interest, Diedra Shikari.
I think this opening works pretty well. I’m slightly less happy with Diedra’s dialogue than I am with Matt’s, but then Matt is sort of a wreck, and I often find it easier to write awkward, halting dialogue than conversations that flow smoothly. I don’t know if that’s because, in real life, conversations are awkward and halting more often than smoothly flowing, or if that’s just an idiotic statement, like “I find shorter fences easier to jump over than taller ones.”
In any case, I’m pretty happy with this, despite the presence of semi-colons and too many uses of “then.” I suspect that by the end of the book the mere sight of a semi-colon is going to make me want to poke my eyes out.
Sorry, JJ.
I think I can survive a fewer semi-colons if it keeps you from Fritz the seeing eye dog. The use of "Then" is only really noticeable when its at the beginning of a sentence. Other than that, It's not as bad as you think.
In what way would you change Diedra's dialogue?
I liked Chapter 1. It flowed well, made sense, all of the things you want for the beginning of a novel.
Similarly, for an exposition, I think I'd like to see a little more scenery. I got a vague idea of Matt, where, by comparison, Deidre was very well depicted. On the other hand, I have NO idea where he is, or what it looks like. There are some named buildings in the chapter, but the danger in that is thinking that your reader will know what those are. I have no idea what any of those buildings look like, or even if they're fabricated ones. Either way, I'd like to know where he is and what that looks like, fabricated world or not.
The dialogue seemed fine to me. The halting feel made sense for the conversation that was taking place. =)
Can't wait to see the next chapter.
As an aside on that note, I noticed that I got a little comma-happy. Please forgive that, as I am posting from work and didn't really have a chance to proof.
Right, I'm going to critique people that I'm asking to critique my book. :P
As far as changing Diedra's dialogue, something about the paragraph where she gets excited and sort of rambles at Matt doesn't feel as organic as I'd like it to. It might come down to a single word choice.
On top of semi-colons and the word "then" (and thank you for the kind words, JJ) I think I'm also going to declare war on adverbs.
I'm enjoying this. But I don't like the name "Deidra," I'll admit.
Partly, it looks like a typo -- I realize it's a real name, but it's far, far less common than "Deirdre," so it looks wrong to me. And partly, it's an Irish name. "Kay" is an English name, too, so it makes me start wondering about the background of the Shikari family, which has me thinking about why the author made the choices he made rather than thinking about the story.
Still, if that's all that bugs me, it's a fine start.
***
And I will offer this fine recipe for Redeemer Slaw:
1 (16 ounce) package shredded coleslaw mix
2 cups seedless red grapes, halved
1/2 cup shredded carrot
1 cup mayonnaise
1/4 cup prepared Dijon-style mustard
1/3 cup crumbled blue cheese
2 tablespoons white sugar
2 tablespoons cider vinegar
In a large bowl, whisk together the mayonnaise, mustard, cheese, sugar and vinegar. Add the coleslaw mix, grapes and carrots and stir until evenly coated. Chill until serving.
***
What? Law? Apostrophe? But...
I totally get where you're coming from about the name. I do address that, later in the book, but if it's taking the reader out of the story now, it's something worth looking into. I'll see what I can do.
And, y'know, I debated for a good while on whether to make the domain name "redeeemerslaw" or "redeemers-law". 'Cause it looks like "Redeemer Slaw" to me too. But I remembered, when I first tried to look up the web strip Penny Arcade, that I couldn't find it because I didn't think to add the hyphen. So I went with a more "standard" web address, knowing I might get some slaw jokes. :)
On the plus side, I'll be making that recipe for my wife and our friends at our next get-together.
And you'll have a fine name for it!
Like what I see so far, thank you for allowing us into your mind a bit each week. As to the domain name, get both and re-direct one to the other. Domain names are cheap, think about picking up .org and .net also.
That's a good idea! I'll do that.
As a friend of mine pointed out, at some point in the late nineties, technology surpassed me, and I've been struggling to catch up ever since. :)
It had a good flow up until the conversation between Diedra and Matt..Matt loses some of his internal dialog and the conversation becomes awkward filled with a lot of ums and ohs...now I realize that is exactly what it is supposed to portray, but I felt it lacking. The best way to describe what I'm trying to say is use one of your sentences...For instance..
"Matt’s forehead wrinkled up. He said, “Uh...”...maybe adding something to the affect of..." Thoughts of fleeing occupying his mind...
Does this make sense??
After Matt darts into the hallway, it resumes its flow.. Again, I think it's pretty brave of you to put this out here like this.
And as I said before I am not a writer, and am sure even my comment is filled with grammatical errors...but I love to read and love a good story
I am interested in seeing what happens next. : )
In ideal circumstances, what Matt says and does would communicate his state of mind perfectly, without me having to explain anything about exactly what his thoughts were. At least I'd like to think so. In any case, I'll take a look at that section and see if I can come up with something that'll make sense, flow well, and make the points I'm going for with no ambiguity.
As for this being brave -- honestly, this isn't THAT different from when I turn a manuscript in to an editor and get notes back. Except now the editor is, y'know, everybody. ;)
Oh, don't sell yourself short. It's BRAVE. You've thrown yourself on the mercy of the Internet, pal. But what doesn't kill us makes us...stranger!
I liked it. The name Diedra Shakiri is a bit of an odd choice, I will agree with Busiek on that. I do like the sort of contrast of him seemingly being almost phobic about meeting people and the clear suggestion he is getting ready for something violent at the end.
I just started reading this while I was downloading an update at work. Good stuff so far.
I have a number of friends who distributed their novels online in podcast format and later sold the books to publishers. One of them even made the new york times best seller list. Nothing wrong with doing the internet thing at all.
Glad you're enjoying it. :)
Once I've got it revised, I most likely will record it as a podcast novel as well. I've got to figure out how that's going to work, though, since I loathe my own speaking voice with an unending passion.
im no critic but i love this story. I hope the chapters to come are as good or better.
Well, I'd like to think they get better. :) I'm looking forward to seeing what YOU think, though.
I have yet to start on the re-write. Things have gotten sort of...hmmm..."chaotic" doesn't do my life justice...things have changed this summer, and on top of a few interesting personal developments, I have so much freelance work right now I can't even begin thinking about revamping an entire novel.
Yet. I'm in no way giving up the intention.
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